About The Book
Drawing on underexplored and only recently available archives, author Chrystyna Dail examines the influence of Stage for Action, a theatre group founded in 1943, on social activist theatre in the 1940s, early 1950s, and later. The group embraced subjects not taken up by earlier activist theatre companies—advocating for the rights of Puerto Ricans, calling attention to the lack of child care for working mothers, and demanding the cessation of all nuclear warfare.
Exploring the intersection between performance and politics and the direct impact of the arts on social activism, Dail argues Stage for Action is a theatrical reflection of progressivism and the pro-working-class theatrical aesthetic of the 1940s. The theatre group, which used performance to encourage direct action and personal responsibility for change, eventually would function as the theatrical voice of the United States Progressive Party in the failed presidential campaign of former vice president Henry A. Wallace.
Calling into question the widely held belief that U.S. theatre in the early years of the Cold War was indifferent to activism, Stage for Action offers historians a new interpretation of social activist performance at midcentury.
“Chrystyna Dail’s fresh and layered analysis [of] this previously neglected subject [is] a splendidly illuminating portrait, a history that is deeply researched in primary and secondary sources.”
—Alan M. Wald, author, American Night: The Literary Left in the Era of the Cold War
“Dail’s Stage for Action is a model for interdisciplinary scholarship that buoys and breathes life into the annals of theatre history. Informed by critical scholarship, archival research, dramaturgical analysis, political and performance theories—as well as serendipitous discoveries—Stage for Action is emboldened by its rigorous and revelatory research.”
—Faedra Chatard Carpenter, author, Coloring Whiteness: Acts of Critique in Black Performance
“Exploring ignored and recently declassified archives, Dail challenges deeply ingrained misconceptions about theater during the Cold War period in this, the first book-length study of one of America’s most revolutionary artistic experiments, Stage for Action. Focusing on the group’s four female founders, in addition to the more famous male playmakers whose celebrity eclipsed them, Dail offers a radical revision of both agitprop and feminist theater in the United States.”
—Sara Warner, author, Acts of Gaiety: LGBT Performance and the Politics of Pleasure
“In Stage for Action, Chrystyna Dail tells the surprising story of a vital artistic community that has been almost completely overlooked in histories of the U.S. theater. Through a close examination of the company’s plays, practitioners, and politics, Dail reveals that Stage for Action (SFA) served as a creative incubator for some of the most prominent U.S. theater makers of the twentieth century. She persuasively argues that SFA’s brief but pivotal existence allows us to understand better the complex ambitions, close connections, and notable achievements of activist theater artists in the wake of World War II.”
—Amy E. Hughes, author, Spectacles of Reform: Theater and Activism in Nineteenth-Century America
"[Stage for Action] reveals the particular power of theater to engage (and outrage) its audiences."
—Barbara Melosh - The Journal of American History
"[...] as an act of recovery and the culmination of much research, Stage for Action is an impressive feat."
—Lee Papa - Theatre Survey
"Chrystyna Dail's important exploration of the short but fiery lifespan of the progressive group Stage for Action succeeds in filling important gaps in the history of social activist theatre."
—Michael Schwartz - Theatre Annual
"Since SFA descendants eventually formed the League of Off-Broadway Theatres, which created fertile ground for such activist troupes of the 1960s as Bread and Puppet, this volume is important for scholars seeking to track the lineage of American political theater."
—M.K. Hunter - CHOICE
