About The Book

Drawing on underexplored and only recently available archives, author Chrystyna Dail examines the influence of Stage for Action, a theatre group founded in 1943, on social activist theatre in the 1940s, early 1950s, and later. The group embraced subjects not taken up by earlier activist theatre companies—advocating for the rights of Puerto Ricans, calling attention to the lack of child care for working mothers, and demanding the cessation of all nuclear warfare.

Exploring the intersection between performance and politics and the direct impact of the arts on social activism, Dail argues Stage for Action is a theatrical reflection of progressivism and the pro-working-class theatrical aesthetic of the 1940s. The theatre group, which used performance to encourage direct action and personal responsibility for change, eventually would function as the theatrical voice of the United States Progressive Party in the failed presidential campaign of former vice president Henry A. Wallace.

Calling into question the widely held belief that U.S. theatre in the early years of the Cold War was indifferent to activism, Stage for Action offers historians a new interpretation of social activist performance at midcentury.

Chrystyna Dail

Chrystyna Dail is an assistant professor of Theatre History at Ithaca College. Her research interests include U.S. social activist performance, the intersection of race and politics in performance following WWII, labor theatre, 20th century Ukrainian theatre, and witchcraft on the American stage. She has presented her research at ATHE, ASTR, IFTR, MATC, ALA, and SEA and has published with the Journal of American Drama and Theatre, Theatre History Studies, Arthur Miller Journal, Theatre Journal as well as Performing Arts Resources. Chrystyna is secretary of the American Theatre and Drama Society and an executive committee member of the American Society for Theatre Research.


“Driving Race Work: The UAW, Detroit, and Discrimination for Everybody!” in Working in the Wings: New Perspectives on Theatre History and Labor
“Locating Fascism by Dislocating War: Stage for Action’s Skin Deep." Theatre History Studies 34 (Fall 2014)
“Radical Economics for the ‘Ordinary American’: Arthur Miller’s That They May Win.” Journal of American Drama and Theatre 23 (Spring 2011)

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